‘A dance-theatre work that questions the architecture of power in the contemporary world, reconnecting with the Greek notion of hubris — arrogance, domination and excess — from which the performance takes its title. Performed by the sixteen dancers of Biennale College, the piece unfolds within a stripped-back landscape composed solely of white boards: an austere yet malleable material capable of evoking classrooms, border checkpoints, banquet halls, contested territories and fragile drifting boats.’